ama.africatoday.com Report : Visit Site


  • Ranking Alexa Global: # 3,132,215

    Server:Apache...

    The main IP address: 217.199.164.34,Your server United Kingdom,Derby ISP:Webfusion Internet Solutions  TLD:com CountryCode:GB

    The description :companion web site to the novel ama, a story of the atlantic slave trade by manu herbstein...

    This report updates in 11-Jun-2018

Created Date:1997-09-23
Changed Date:2015-07-24
Expires Date:2017-09-22

Technical data of the ama.africatoday.com


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Latitude: 52.922771453857
Longitude: -1.4766299724579
Country: United Kingdom (GB)
City: Derby
Region: England
ISP: Webfusion Internet Solutions

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HTTP Header Analysis


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Content-Length:6320
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ETag:"b75c-44519c052e680-gzip"
Date:Mon, 11 Jun 2018 08:25:22 GMT
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ipv4:IP:217.199.164.34
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HtmlToText

<html> <head> <meta name= "keywords" content= "ama, ama a story of the atlantic slave trade, a story of the atlantic slave trade, africa, slave trade, slavery, atlantic world, reparations, manu herbstein, manu, herbstein, novel, fiction, historical novel, historical fiction, middle passage, racism, asante, asantehene, ashanti, bahia, brazil, candomble, cape coast, capitein, jacobus capitein, dagbon, dagomba, diaspora, edina, elmina, fante, fanti, ghana, gold coast, gonja, kafaba, kola, konkomba, kumase, kumasi, love of liberty, nandzi, osei kwadwo, osei kwame, philip quaque, richard brew, salaga, tomba, yendi, african american, african history, african diaspora, african literature, african religion, authenticity, capitalism and slavery, complicity, curriculum, eighteenth century, gold, legacy of slavery, pamela, participation, plausibility, authentic, resistance to slavery, storytelling, sugar, print on demand, e-book, south african writers, yoruba, e-reads.com, e-reads, slave route, slave route project, adu boahen, kofi anyidoho" > <meta name= "description" content= "companion web site to the novel by manu herbstein" > <meta name= "generator" content= "microsoft frontpage 4.0" > <meta name= "progid" content= "frontpage.editor.document" > <script language ="javascript" > var n4p = (self.innerheight != null && self.innerheight == 0); if ((parent.tlxpgnm==null || parent.tlxpgnm!='index') && !n4p){ location.replace('index.htm'); } </script> <link rel= "stylesheet" type= "text/css" href= "normalama12pt.css" > <script language ="javascript" fptype ="dynamicoutline" > <!-- function dynoutline() {} //--> </script> <script language ="javascript1.2" fptype ="dynamicoutline" src ="outline.js" > </script> <script language ="javascript1.2" fptype ="dynamicoutline" for ="document" event ="onreadystatechange()" > <!-- initoutline() //--> </script> </head> <body bgcolor= "#ffffff" text= "#080000" link= "#0000bf" alink= "#80028f" vlink= "#660099" onclick= "dynoutline()" > <p style= "margin-top: 0; margin-bottom: 0" ><i><font face= "arial" size= "5" > in 1775 a young african woman is captured and enslaved. </font></i> <p style= "margin-top: 0; margin-bottom: 0" ><i><font face= "arial" size= "5" > this novel tells the story of her life. </font></i></p> <p style= "margin-top: 0; margin-bottom: 0" > &nbsp; </p> <font size= "2" color= "#000000" face= "arial,helvetica,sans-serif" > <div align= "left" > <table border= "0" cellpadding= "2" cellspacing= "1" width= "687" bordercolorlight= "#c0c0c0" bordercolordark= "#808080" frame= "box" rules= "all" bgcolor= "#ffffff" align= "left" > <tr> <td valign= "top" bgcolor= "#ffffff" height= "193" width= "419" ><font size= "2" color= "#000000" face= "arial,helvetica,sans-serif" > <div align= "center" > <center> <table border= "3" width= "100%" bgcolor= "#cccccc" > <tr> <td> <p align= "center" ><font size= "3" color= "#111111" face= "clarendon condensed" > in everlasting memory </font></p> </font></font> <p align= "center" ><font color= "#111111" face= "clarendon condensed" size= "1" > of the anguish of our ancestors. </font></p> <p align= "center" ><font color= "#111111" face= "clarendon condensed" size= "1" > may those who died rest in peace. </font></p> <p align= "center" ><font color= "#111111" face= "clarendon condensed" size= "1" > may those who return find their roots. </font></p> <p align= "center" ><font color= "#111111" face= "clarendon condensed" size= "1" > may humanity never again perpetrate </font></p> <p align= "center" ><font color= "#111111" face= "clarendon condensed" size= "1" > such injustice against humanity </font></p> <p align= "center" ><font color= "#111111" face= "clarendon condensed" size= "1" > we, the living, vow to uphold this. </font></p> </td> </tr> </table> </center> </div> <p align= "center" ><font size= "1" color= "#111111" face= "arial,helvetica,sans-serif" > inscription at elmina castle </font></p> </td> <td valign= "top" bgcolor= "#ffffff" height= "193" width= "91" > &nbsp; </td> <td valign= "top" bgcolor= "#ffffff" height= "193" width= "941" > <p style= "margin-top: 0; margin-bottom: 0" ><span style= "font-size:10.0pt;mso-bidi-font-size:12.0pt; font-family:arial" > never has (the story of the atlantic slave trade) been so captured in its total complexity, never have its tragic implications been laid out so fully, with all the scattered details brought together in one magnificent narrative of awesome and humbling imaginative impact . . . a long story that seems to have barely begun even as you reach the final page. </span><span style= "font-size: 10.0pt;mso-bidi-font-size:12.0pt;font-family:arial" > &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></p> <p style= "margin-top: 0; margin-bottom: 0" align= "right" ><span style= "font-size: 10.0pt;mso-bidi-font-size:12.0pt;font-family:arial" > kofi anyidoho, professor and head, </span></p> <p align= "right" style= "margin-top: 0; margin-bottom: 0" ><span style= "font-size: 10.0pt;mso-bidi-font-size:12.0pt;font-family:arial" > department of english, university of ghana </span><span style= "font-size:10.0pt;mso-bidi-font-size:12.0pt; font-family:arial" > &nbsp; <o:p> </span></p> <p style= "margin-top: 0; margin-bottom: 0" > &nbsp; </p> <p style= "margin-top: 0; margin-bottom: 0" ><i><span style= "font-size:10.0pt;mso-bidi-font-size:12.0pt; font-family:arial" > ama </span></i><span style= "font-size:10.0pt;mso-bidi-font-size: 12.0pt;font-family:arial" > is a deeply engrossing novel, and after completing it i understood, on a level i had never before experienced, the heart and soul and tragedy of the african-american . . . <i> ama </i> is the archetypal story of an african woman’s journey, not just from africa to the americas, but also from innocence to sophistication and ignorance to wisdom. <span style= "mso-spacerun: yes" > &nbsp; </span></span></p> <p style= "margin-top: 0; margin-bottom: 0" > &nbsp; </p> <p align= "right" style= "margin-top: 0; margin-bottom: 0" ><span style= "font-size: 10.0pt;mso-bidi-font-size:12.0pt;font-family:arial" > richard curtis, publisher, e-reads </span></td> </tr> </table> </div> <blockquote> <p class= "msonormal" style= "margin-left: 10" align= "left" ><span style= "font-size:10.0pt;mso-bidi-font-size:12.0pt; font-family:arial" > </o:p> </span></p> <p class= "msonormal" style= "margin-left: 10" align= "left" > &nbsp; </p> </blockquote> <span style= "font-size:12.0pt;font-family:arial;mso-fareast-font-family:&quot;times new roman&quot;; mso-ansi-language:en-us;mso-fareast-language:en-us;mso-bidi-language:ar-sa" ><br clear= "all" style= "page-break-before:always;mso-break-type:section-break" > </span> <p> &nbsp; </p> <p><font size= "3" color= "#000000" face= "arial,helvetica,sans-serif" ><span style= "background-color: #ffff00" > please click on a bulleted heading to toggle the content. </span></font></p> <p><font color= "#000000" face= "arial,helvetica,sans-serif" size= "1" > several pages in this site contain a lot of text and may take some time to load.&nbsp; while the page is loading you should be able to start reading.&nbsp; once the page is fully loaded, all the underlying texts should disappear, leaving only the bold bulleted headings. clicking on one of these will toggle the underlying text on and off. if the text below the bulleted heading does not disappear when the page is fully loaded, you might be using an obsolete browser. please consider upgrading.&nbsp; this site is best viewed with your monitor set to 1024x768. </font></p> <ul dynamicoutline initcollapsed> <li><font face= "arial" size= "3" ><b><font color= "#000000" > the background </font></b></font> <ul> <li><font size= "3" face= "arial" ><font color= "#000000" > african slaves were sold in lisbon as early as 1441. the european discovery and colonization of the americas set the scene for the trans-atlantic slave trade. in the course of three hundred years, from the sixteenth to the nineteenth century, upwards of ten million black men, women and children arrived in the americas as unwilling migrants. millions more died on the journey to the atlantic coast, and at sea. </font><br> <br> <font color= "#000000" > the slaves were all african. so too were most of those who first sold them. the buyers and shippers were europeans. </font><br> <br> <font color= "#000000" > like you and me, each of those africans must surely have had a tale to tell. no doubt it would have been a tale of suffering; but often, surely, also a tale of courage and solidarity. </font><br> <br> <font color= "#000000" > sadly, few acquired the skills needed to preserve their stories for posterity; and those who did wrote with european quills and european ink on european paper. </font><br> <br> <font color= "#000000" > what of the vast majority? what of those who never learned to read or write and never accepted the religion of their oppressors? &nbsp; </font><br> <br> <font color= "#000000" > their stories are lost. all but a few of the ten million came from societies in which literature was oral, rather than written. even when the light of history shines briefly on one of those black faces, it is seldom an african who holds the flickering torch and tells us what he sees. the fragments which have come down to us are shattered images of african society, african beliefs, african relationships, african people. </font></font></li> </ul> <p style= "margin-top: 0; margin-bottom: 0" > &nbsp; </li> <li><font size= "3" face= "arial" ><b><font color= "#000000" > ama's story </font></b></font> <ul> <li> <p style= "margin-top: 0; margin-bottom: 0" ><font size= "3" face= "arial" ><font color= "#000000" > this novel is an attempt to recreate the experience of enslavement and resistance, seen from the point of view of one african slave. &nbsp; </font><br> <br> <font color= "#000000" > in 1772, the musketeers of the army of the asante confederacy vanquished the archers and cavalry of the kingdom of dagomba. the victor exacted from the defeated enemy an annual tribute of five hundred slaves. </font><br> <br> <font color= "#000000" > ama, then known by her birth-name, nandzi, is left alone to care for her baby brother. she is captured, raped and enslaved. her name is taken from her. she fights back; she is defeated. she escapes; and is recaptured. from the moment when she loses her freedom, her life oscillates between resistance to her successive owners and a reluctant accommodation to their power. the dagomba give her to the asante; the asante sell her to the dutch. on board an english slave ship, she instigates a rebellion; and suffers a terrible retribution when it fails. in brazil, where eighteen-hour work shifts send slaves to an early death, she attempts to build a new life. sustained by ancient beliefs, ama's spirit never wavers. enslaved she might have been, but to herself she is never a slave. </font></font></li> </ul> <p style= "margin-top: 0; margin-bottom: 0" > &nbsp; </li> <li><font size= "3" face= "arial" ><b><font color= "#000000" > this web-site </font></b></font> <ul> <li><font size= "3" face= "arial" > whether we are aware of it or not, &nbsp;the holocaust which was the atlantic slave trade has in some way affected everyone of us who lives on the shores of the atlantic and beyond. i hope that you will find ama's story a good read; but beyond that, if it leaves you with a hunger to know more, please click on the links in the panel on the left. <b> please be warned that some of the web page contain a great deal of text and may take time to load. </b><br> <br> <b> enhancements </b> will take you to a list of the main characters in the novel and a glossary. </font></li> </ul> &nbsp; <ul> <li><font face= "arial" size= "3" ><b> texts and sources </b> leads to references to the work of distinguished scholars, supported in some cases by&nbsp; texts which relate in some way to ama's story.&nbsp; <br> <br> <b> issues </b> includes discussions on the problem of achieving authenticity and plausibility in a historical novel of this nature; on the middle passage in fiction; on african participation in slavery and the slave trade; on how the atlantic slave trade features in the curriculum of schools in the united states; on racism; and on reparations. <br> <br> <b> other information </b> includes the unesco slave route project, films dealing with slavery and the atlantic slave trade, slavery and anti-slavery in the world today, african literature, conferences and&nbsp; museums of slavery and the slave trade. <br> <br> <b> reactions </b> will lead you to blurbs and reviews of ama (if there are any) and will offer you a place to record your comments on ama and on this web site. <br> </font></li> </ul> </li> </ul> <p><font size= "3" face= "arial" ><br> <br> <br> </font> <p><font size= "3" face= "arial" ><a href= "internal_links.htm" ><font color= "#ffffff" > internal links </font></a></font></p> </body> </html>

URL analysis for ama.africatoday.com


http://ama.africatoday.com/
http://www.ama.africatoday.com/asante_attitudes_l.htm
http://www.ama.africatoday.com/asante.htm
http://www.ama.africatoday.com/gonja.htm
http://www.ama.africatoday.com/african_religion.htm
http://www.ama.africatoday.com/resistance_in_brazil.htm
http://www.ama.africatoday.com/legacy.htm
http://www.ama.africatoday.com/middle_passage.htm
http://www.ama.africatoday.com/african_literature.htm
http://www.ama.africatoday.com/reviews.htm

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  CHANGED 2015-07-24

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